Added new Collection of popular marathi Bhaktigeet
❤️ स्तवन / प्रार्थना
❤️ गण / Gan
❤️ वंदन गीते / Vandana Geete
❤️ रुपावली / Rupavali
❤️ गवळण / Gavalana
❤️ भैरवी / Bhairavi
❤️ गजर / Gajara
❤️ Bharuḍa
❤️ Bhaktigite
❤️ Sant Tukaram Abhang
❤️ Sant Namadeva Abhang
❤️ Sant Janabai Abhang
❤️ Sant Chokhamela Abhang
❤️ Sant Ekanatha Abhang
❤️ Sant Jnanedsvara Abhang
❤️ Sant Bahinabai Abhang
❤️ Sant Muktabai Abhang
❤️ Sant Gorakumbhara Abhang
❤️ Sant Narahari Sonara
❤️ Pahatechi Bhaktigeete
Latest updated collection of Abhang, Bhajan, Bhaktigeet, Bharud, Aarti, Gavlan Sangrah
Collection of popular marathi Bhajan, Bhaktigeet, Bharud, Aarti, Gavlan Sangrah written by famous marathi poets. You can also finds marathi poems for kids, desh bhakti geet, bhavgeet, marathi song lyrics, serial title song lyrics and many more.
Collection of popular marathi Bhaktigeet
❤️ स्तवन / प्रार्थना / Stavana/ Prarthana
❤️ गण / Gan
❤️ वंदन गीते / Vandan Geete
❤️ रुपावली / Rupavali
❤️ गवळण / Gavalan
❤️ भैरवी / Bhairavi
❤️ गजर / Gajar
❤️ भारुड / Bharuḍ
❤️ भक्तीगीते / Bhaktigeete
❤️ संत तुकाराम / Sant Tukaram
❤️ संत नामदेव / Sant Namadev
❤️ संत जनाबाई / Sant Janabai
❤️ संत चोखामेळा / Sant Chokhamela
❤️ संत एकनाथ / Sant Ekanath
❤️ संत ज्ञानेश्वर / Sant Jnanedsvara - Dnyaneshwar
❤️ संत बहिणाबाई / Sant Bahinabai
❤️ संत मुक्ताबाई / Sant Muktabai
❤️ संत गोराकुंभार / Sant Gorakumbhar
❤️ इतर अभंग / Other Abhang
❤️ संत नरहरी सोनार / Sant Narahari Sonar
❤️ श्री गुरु दत्तांचे अभंग / Shree Guru Dattanche Abhang
❤️ वारांचे अभंग / Varanche Abhang
❤️ पहाटेची भक्तीगीते / Pahatechi Bhaktigeete
भारूड - Bharud : is one of those important folk arts of Maharashtra, which is still alive and is going strong even in today’s times. After the tamasha, Bharud is next favourite form of folk art in the rural areas. Bharud is an important part of annual fairs, Dnyaneshwari Parayan (recital of Dnyaneshwari, Saint Dnyaneshwar’s interpretation of the Bhagwad Geeta), or the recital of Tukaram Gatha (collection of Saint Tukaram’s Abhang).
गण - गवळण : The tamasha has transformed due to changes in technology, the tastes of audiences, shrinking performance spaces, and other factors. Veteran troupe owners have mixed feelings –while Raghuvir Khedkar of Ratnagiri district feels the tamasha is in terminal danger Mangala Bansode of Satara district is sure her art form will survive
